Preoccupied with youth culture and consumer products such as pop music, Coca-Cola, automobiles, and with cinema itself. Note the absence of close-ups, credits and soundtrack inserted at seemingly incongruent intervals, long take and continuous tracking shot of extended duration which now becoming a recurring motif in director's arsenal.
从少女的人头落地到萨德的悠然创作由萨德的癫狂状态口传作品到马黛特的惨死再从马黛特死后的美艳到神父的臆想与疯魔这是死与美的回环与人的本性做着可怕的周旋少女(美)的死亡带来创作的灵光神父面前自甘做上帝的弃儿拒绝被救赎被萨德吞下的十字架是意味着对圣明上帝的彻底反叛WRITE AS 公共场合还是以自我为上帝的终极追求
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